Each of these characters show how powerful illusion can be. Blanche dwells in illusion; fantasy is her primary means of self-defence, both against outside threats and against her own demons. She wears the crown she owns with the costume jewelry and goes through moments where she can pretend she lives the life of a princess to escape reality. Stanley is from a lower-class background with a cruel streak a mile wide. She knows how untrue Stanley is to Stella and is always telling her to and not put up with how she is treated like garbage from him. Harold Mitchell, also known as Mitch buys into Blanches illusions. They are private, not displayed for Stanley, but he finds them anyway—as he does later when he exposes her sexual past.
Character Identities in Othello and A Streetcar Named Desire When examining both William Shakespeare's Othello as well as Tennessee Williams' A Streetcar Named Desire, one can not help but notice the stunning array of characters; each with their own and distinct personal identities. That she speaks of talk and action as analogous to a lightbulb shows that she considers the remedy for uncouth behavior and appearance to be a paper lantern, an external cover, rather than a change from within. When Mitch meets Blanche he is attracted to her beauty. I believe that Allan killed himself more so because he realised Blanche would no longer help him than because she knew. In the first poker scene 3 , Blanche and Mitch set up drama for the rest of the play, which we see from the following exchange: Blanche : I bought this adorable little colored paper lantern … Put it over the lightbulb! Each character is shown to live their life in either the way of illusion or reality. As students complete the worksheet, they will look for specific lines in the play where Stella enables both characters. When Blanche tells the operator in Scene Ten that she is caught in a trap, part of her realises she has set herself up via her desires.
Middle It shows an ability to face the truth, however bitter it may be. Pleasure, in some points of view is the subjective…. Blanche DuBois, Stanley Kowalski, Stella Kowalski 1123 Words 3 Pages Remind yourself of the passage in Scene One from page 4: Blanche: They told me to take a streetcar. In A Streetcar Named Desire, several of the characters use illusion to make themselves more sociably acceptable. Blanche is the center of all illusion. The themes illusion and fantasy are involved from the start of the play.
Towards the end of the play Mitch finally overlooks Blanches illusions and begins to question her by telling her how he has never seen her in the light and asks her age. Through her fantasy world, she thinks she could keep her sister for ever, but fantasy does not always work and makes life appear as it should be rather than what reality is. When Blanche went to visit Stella, her illusion began. Here, the illusions are revealed and the battle between the illusions and the characters will begin. Stella also pulls a blanket over her eyes to shield her self from the harsh reality that her husband is a mad man. Towards the end of the play Mitch finally overlooks Blanches illusions and begins to question her by telling her how he has never seen her in the light and asks her age.
It isn't just an illusion to him, it is his reality. But all of the rest of it-- Christ! He is overtaken by her charm, but in the end finally faces reality. But soon her intimacies got out of control and she once made the mistake of trying to seduce a 17 - year old student of hers. Gender Roles in A Streetcar Named Desire Throughout history empowerment and marginalization has primarily been based on gender. Published in 1947, the theatre piece is one of his most recognizable works.
He is overtaken by her charm, but in the end finally faces reality. But at the same time, she is telling Mitch how she is old fashioned and tries to be as much of a sweetheart as possible, whie not revealing her age or past. At the end of the play, Blanche is taken to a mental asylum, permanently removed from reality to her own mind. Blanche is the center of all illusion. Once he confirms what Stanley said about Blanche, reality sets in for Mitch. When Blanches husband died and her family members began to die, she spent her money on their funeral and she ended up losing her home. Blanche expresses her contempt for him for these reasons.
Soon, she meets a friend of Stanley's, Mitch, and eventually she starts to think that maybe he is the one. The characters acts as if what they were undergoing did not actually happen or were not of any importance. I couldn't believe her story and go on living with Stanley. She is not successful because of her refusal or inability to face reality, in her circumstances and in herself. Stella's only options, therefore, are to either believe Blanche - and leave Stanley - or to consider Blanche's story a lie or a delusion. It is Common Core aligned because it requires students to find text evidence to support contentions about Blanche, Stella, and Stanley, and it looks to examine the themes of fantasy and illusion and male dominance in this scene and throughout the play.
As we look back on these past memories we can realize the impact these events have on our present lives. You've got to be soft and attractive. Each character operates within his or her own alternate reality. She wants a cultured man but is often subconsciously attracted to strong, basic male characters, perhaps a response to her marriage with a cultured, sensitive man which ended in disaster. The story is about the.